'The Stones of Tuscany’
Florence is a city of
stone, in particular two types of local sandstone: Pietra Forte and Pietra
Serena. Pietra Forte was once quarried in the area that is now occupied by
the Boboli Gardens and was used from the Middle Ages onwards for the
rustication of buildings such as the Palazzo Vecchio and the Palazzo Pitti.
Pietra Serena was introduced into the
cityscape by Filippo Brunelleschi; he used it for columns, arches,
corbels, cornices, arches, gables and gateways. Some of the areas it was
quarried from include the hills around Fiesole, Maiano and Settignano.
The green marble used for the
facing of churches in geometric design came from the hills near Prato. The
famed white marble of Florentine sculpture came from Carrara.
John Ruskin began his study
of architecture after experiencing the church of Santa Maria Forisportam
in Lucca.
Pietre Dure or Florentine
mosaic. This was an art initiated by the Medici in the sixteenth century.
Technically it is stone inlay obtained by cutting and fitting together
marble and polychrome semi-precious stones. When Michelangelo’s giant
statue of David was installed it had to be guarded since stones were
thrown at it during the night. ‘Sasso di Dante’ – Dante’s stone –where
Dante used to sit, write and watch the new cathedral of Florence being
built. The Sasso di Dante inspired many English poets, among them
Wordsworth . The poet visited Florence in 1837and sat on the stone then
wrote a sonnet about the experience.The Guild of Masters of Stone and
Woodcutters is represented by a sculptural group of Four Crowned
Saints in one of the niches of Orsanmichele in Florence. It was executed
by Nanni di banco ca 1408. The sculptural group was commissioned by the
guild of which Nanni di Banco was a member. The guild’s patron saints
were the 3rd century Christian sculptors who were willing to
die rather than carve a statue of Aesculapius for the Emperor Diocletian.
At its base there is a representation of a waller (laying rusticated stone
blocks) and three stoneworkers (working on a column, a capital and a
statue). The main device on the arms of the guild is the waller’s
instrument for mixing mortar.